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      • Gelance Cushion - Andrei Motian
      • Landscapes for Warhammer - Dusanka Prvulovic
      • Bioplastic Filters: An Analogue Photoshop - DaniĆ«l van Kesteren
      • Hyperdisposables - Anoush Mazloumian
      • Project Stop Touching - Summer Danoe
      • Foam For Material Activists - Laura Velgersdijk
      • DateKleed - Duncan van Norden
      • One Size Hurts All - Kaz Bison
      • Biodegradable Packaging Bags - Kim Sinke
      • DIY Faceguards - Thijs Uffen
      • Bioplastics on a Rainbow Spectrum - Desiree van Dam
      • Beyond Humanity - Britt de Heer
  • Coursework
    • Britt
      • research zine text
      • Week 11
      • Week 12 / 13
      • Week 14
      • 1 ) Kick-Off
        • Grafische Werkplaats Amsterdam
        • Safetyzine
      • 2 ) Electronics: Connecting Materials
      • 4 ) Cutting Supersurfaces
        • Zine: Art Approach
        • Furry Sample Book
      • 5 ) Additive Manufacturing
      • 6 ) Untoolkit: Electronic Inputs
      • 7 ) Transforming: Moulding and Casting with Bioplastics
      • 8 ) Untoolkit: Electronic Outputs
    • Andrei
      • Week 1
        • GWA
        • Textielmuseum
        • Safetyzine
      • Week 2
        • Ohm's Law & circuits
        • Speaker on denim
      • Week 4
        • Inflatables 2D to 3D
        • Smooth to sharp with polypropylene
      • Week 5
        • Making a switch for the laser cutter in Fusion360
        • Designing and 3D printing molds
      • Week 6
        • Wearable switch for sound
        • Analog Sensor
      • Week 7
        • Home materials
        • Making bioplastics
        • Material properties
      • Week 8
        • Virtual Swatch
        • Processing
        • RGB LED
      • Project weeks 11 - ?
        • Week 11: Kick-off
          • Brainstorm Session
          • 5 min pitch
          • Trail of Evidence
          • Proposal
        • Week 12: Experimenting
          • Research workout materials
          • First Experiment
          • Trail of Evidence
        • Week 13: Project Work
          • Insights
          • Reframing session with Laura
          • Trail of Evidence
        • Week 14: Reframing
          • Reflective design method
          • Going bigger
          • Trail of Evidence
        • Week 15
          • Highlights photo's
          • Reframing, research & insights
          • Trail of Evidence
        • Week 16
          • Going even bigger
          • Trail of Evidence
        • Week 17
          • Trail of Evidence
        • Project
    • Anoush
      • Week 11-19
        • Week 11 | project kick-off
        • Week 14 | First experiments
        • Week 15 | Progress presentation
        • Last reframing session
        • Trail of Evidence
      • Week 1-8
        • Overall Reflection
        • Week 8 | Untoolkit - Electronic Outputs
        • Week 7 | Transforming bioplastics
        • Week 6 | Untoolkit - Electronic inputs
        • Week 5 | Additive Manufacturing
        • Week 4 | Cutting Supersurfaces
        • Week 3 | Reading Week
        • Week 2 | Electronics: Connecting Materials
        • Week 1 | Kick-off
    • DaniĆ«l
      • Week 20: Expo Week
      • Week 19: Project Week 9
      • Week 18: Project Week 8
      • Week 17: Project Week 7
      • Week 1: Kick-Off
      • Week 2: Electronics and Connecting Materials
        • Part I: The Basics and Recreating Circuits
        • Part II: The Making of the Speaker
        • Part III: Testing the speaker
      • Week 3: Reading Week
      • Week 4: Processes & Collaboration
        • Part I: exploring the words
        • Part II: experimenting with the laser cutter
      • Week 5: Critical Making 3D
        • Part I: Creating the injection mold
        • Part II: Creating the two-part mold
        • Part III: Printing the designs
      • Week 6: Electronics & Open Design
      • Week 7: Bioplastics
        • Material Properties Sheet
        • The Ma2E4 Toolkit
        • The Ma2E4 Toolkit (second bioplastic)
        • An application for the bioplastic
      • Week 8: Interfaces & Algorithmic Bias
      • Week 9: Documentation Week
      • Week 10: Assessments
      • Week 11: Project Kick-Off
      • Week 12: Recess
      • Week 13: Project Week 2
      • Week 14: Project Week 3
      • Week 15: Project Week 4
      • Week 16: Project Week 5
        • Presentation Preparation
    • Desiree
      • Summaries
      • Kick-off
      • Week 1 - Safety Zine
      • Week 2-3 Electromagnets
      • Week 4 - Cutting Supersurfaces
      • Week 5 - Additive Manufacturing
      • Week 6 - Untoolkit: Electronic Inputs
      • Week 7 - Transforming: Molding and Casting with Bioplastics
      • Week 8 - Untoolkit: Electronic Outputs
      • Trail of Evidence
      • Website
      • Material Archive
      • Week 11 - Choose a project
      • Week 12 - 13
      • Week 14
      • Week 15
      • Week 16
      • Week 17
      • Week 18
      • Week 19
    • Duncan
      • Week 1: Kick-Off
        • Masterclass Studio Overvelde
        • Workshop letterpress
        • Textielmuseum Tilburg
        • Meet the Makers - introduce yourself
        • Safetyzine
        • extraĀ“s
      • Week 2: Electronics: Connecting Materials
        • Zine: Kits & Open sources
      • Week 3: Reading week
      • Week 4: Cutting Supersurfaces
        • Zine:
      • Week 5: Additive Manufacturing
        • Workshop Amstelstation
        • Zine: 3D-printers & Being editors
        • Overall conclusion
      • Week 6: Untoolkit (Inputs)
        • Together w/ Loes
        • Zine: week 6
        • ExtraĀ“s
      • Week 7: Transforming
        • Zine: Social issues
        • extra's
      • Week 8: Untoolkit (Outputs)
        • Zine: Does being a 'maker' makes you a better civilian?
        • extraĀ“s: week 8
      • Week 9: Reflection
        • Zine:
        • extra's (week 9)
      • Week 10: Assessments
        • Zine:
      • Week 11
        • Makers skills & attitude
        • Design research skills
        • Collaborative learning
      • Week 12
        • Maker skills & attitude
        • Design research skills
        • Collaborative learning
      • Week 13
        • Scenario
        • Maker skills & attitude
        • Design research skills
        • Collaborative learning
      • Week 14
      • Week 15
        • Materialen lijst
        • Lijst met verschillende manier van connecten
        • Scenarios
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        • Concrete voorbeelden tekenen
        • Samples / plan schrijven om te MAKEN!!
        • Kleuren inspiratie
      • Week 16
      • Week 18
        • Samples
        • The making of Samples
        • Inspiratie
        • Benodigdheden Woensdag 03/06/20
        • Inspiratie foto serie
        • Digitale tekeningen
      • Week 19
      • Week 20
    • DuÅ”anka
      • Week 1 - 8
        • 1 | Kick-Off
          • 2 | Electronics: Connecting Materials
            • Assignment 0 - Zine
            • Assignment 1 - Paper circuit
            • Assignment 2 - Soft speaker
          • Assignment 1
          • Assignment 2
        • 4 | Cutting Supersurfaces
          • Assignment 0 - Zine
          • Assignment 1 - Sample Book
        • 5 | Additive Manufacturing
          • Assignment 0 - Zine
          • Assignment 1 - Mold documentation
          • Assignment 2 - Molds
        • 6 | Untoolkit: Electronic Inputs
          • Assignment 0 - Zine
          • Assignment 1 - Antiprimadonna's
          • Assignment 2 - Working circuit
        • 7 | Transforming: Molding and Casting with Bioplastics
          • Assignment 0 - Zine
          • Assignment 1 - Intro
            • Bioplastics
            • Experiential toolkit
            • Material properties sheet
            • Future applications
            • Reflection
        • 8 | Untoolkit: Eelectronic Outputs
          • Assignment 0 - Zine
          • Assignment 1 - Working circuit
      • 11 | Projects Kick-Off
        • Trail of Evidence
      • 12 | First experiments
        • Trail of Evidence
        • Building the board
      • 13 | Project Work
        • Trail of Evidence
        • Building scenery
      • 14 | Reframing
        • Trail of Evidence
        • Game ideation
      • 15 | Making fake water
        • Trail of Evidence
      • 16 | Making a cherry blossom tree
        • Trail of Evidence
      • 17 | Expo plan & Clouds
        • Trail of Evidence
      • 18 | Research zine & Coffee soil
        • Research zine
      • 19 | Research zine 2.0
    • Kaz
      • 1 | Kick-Off
      • 2 | Electronics: Connecting Materials
        • Assignment 0 - Zine
        • Assignment 1 - Paper circuits
        • Assignment 2 - Building a speaker
      • 4 | Cutting Supersurfaces
      • 5 | Additive Manufacturing
      • 6 | Untoolkit: Electronic Inputs
      • 7 | Transforming: Molding and Casting with Bioplastics
      • 8 | Untoolkit: Electronic Outputs
      • 11 - 20 | Project: Face Mask Strap
        • 11 | Kick-Off / Pitch
        • Trail of Evidence
        • 15 | Midterm presentation
    • Kim
      • 1 - Introweek
        • Discussion notes
        • Try out zine - Week 1
      • 2 - Electronics: Connecting Materials
        • Zine - Week 2
      • Zine - Week 3
      • 4 - Cutting Supersurfaces
        • The making of: The Sample Book
        • Dense - Clear final sample book
        • Zine - Week 4
      • 5 - Additive Manufacturing
        • Understanding Fusion 360
        • Understanding Cura
        • Understanding the 3D Printer
        • Zine - Week 5
      • 6 - Coronaweek Untoolkit: Electronic Inputs
        • LDR LED connection with Arduino
        • Zine - Week 6
      • 7 - Coronaweek Transforming: Molding and Casting with Bioplastics
        • Material properties sheet + Experiential toolkit
        • Future Bioplastic concept
        • Zine - Week 7
      • 8 - Untoolkit: Electronic Outputs
        • Output swatch
        • Zine - Week 8
      • Project Page Biodegradable Packaging Bags
      • 11 - Project proposal week
        • Trial of evidence week 11
      • 12&13 - Project Bioplastic Consumables
        • Trial of evidence week 12&13
      • 14 - Reframing week
        • Trial of evidence week 14
      • 15 - Project work
        • Trial of evidence week 15
      • 16 - Reframing and expo prep
        • Trial of evidence week 16
        • 16 - The first test
      • Material Sample 1
      • 17 - Project work
        • 17 - Ironing a bioplastic bag
        • 17 - New method for sticking a bioplastic bag together
        • 17 - How to compost?
        • Trial of evidence week 17
      • 18 - Trial of Evidence
      • 19 - Trial Of Evidence
      • 20 - Trial Of Evidence
      • 21 - Final Expostion
    • Laura
      • Week 1: Kick off
      • Week 2: Electronics: connecting materials
      • Week 4: Cutting Supersurfaces
      • Week 5: Additive Manufacturing
      • Week 6: Untoolkit: Electronic inputs
      • Week 7: Transforming Molding and Casting with Bioplastics
      • Foam For Material Activists
        • How to protect?
        • To find a material
        • Foam
        • Trail of Evidence
        • Midterm presentations
    • Summer
      • Foto's
      • Midterm presentation
      • Project: Stop touching
        • Project Proposal
        • Inspirational projects
      • Cutting Supersurfaces
      • Additive Manufacturing
      • Molding and Casting with Bioplastics
        • Creating natural dyes
        • Created bioplastics
      • Electronic input
      • Electronic output
    • Thijs
      • Week 1 - Kickoff
      • Week 2 - Electronics : connecting materials
      • Week 2 - Workshop : debugging circuits
      • Week 2 - Making a speaker
      • Week 3 - Processes & Collaboration
      • Week 4 - Cutting supersurfaces
      • Week 4 - Zine editor
      • Week 5 - Additive manufacturing
      • Week 6 - Untoolkit: Electronic Inputs
      • Week 7 - Transforming: Molding and Casting with Bioplastics
        • Ma2E4 Toolkit
        • Future applications & reflection
      • Week 8 - Untoolkit : electronic outputs
      • Week 11 - Project kickoff
      • Week 12 - First experiments
      • Week 13 - Project work
      • Week 14 - Reframing & trail of evidence
        • Reframing : additional research
        • Shopping list
        • Testing bioplastic material
      • Week 15
      • Weeks 15 - 20
      • Expo prep
  • CLASS NOTES
    • Zine documentation (collaborative doc)
    • Discussions week 2-8
      • Week 02 - Connecting Materials
      • Week 04 - Cutting Supersurfaces
      • Week 05 - Additive Manufacturing
      • Week 06 - Untoolkit Electronics Inputs
      • Week 07 - Transforming Bioplastics
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  1. Coursework
  2. Thijs

Week 4 - Cutting supersurfaces

PreviousWeek 3 - Processes & CollaborationNextWeek 4 - Zine editor

Last updated 5 years ago

Zine design

Exploring material properties

As I stated in the previous week, I wanted to work with origami patterns. I already made an inspiration board with different patterns I could use. Because my contrast was flexible-rigid, I wanted to show the difference between these properties in a gradual manner. What I mean with that is that paper can be rigid and flexible at the same time.

To begin, I wanted to experiment with paper and look how it behaves when folded.

I quickly noticed that the thickness of the paper is a big factor for the behaviour when folding. When paper is thinner, like 30 gram standard A4, it can be folder more times. The downside is that the paper is more flimsy, and will not retain it's shape. In addition to that, wrinkles and unwanted folds can occur quickly.

When I started to fold thicker paper that was 80 gram, I could make slicker and nicer folds. The downside of the thicker paper is that the fold lines can get wrinkly. So you have to be careful when making these folds, because it can look ugly when you over do it.

Their aim was to make supporting structures in this classic folding design. They did so by creating holes in the corners of the fold.

Before looking into these advanced structures, I wanted to experiment with different paper thicknesses. My goal was to determine if the thickness of paper does attribute in the rigidity of my designs.

To make these designs, I created folding patterns in adobe illustrator. When I load these patterns into a laser cutter, I can make precise cuts in different kinds of paper. This will make the folding process much easier than when I would print the designs on the paper. Because I make the paper weaker on the cutted lines, the paper will retain it's rigidity and foldd more easily.

With my folding patterns and paper ready, I walked up to a laser printer and uploaded my files. To do so, you have to save your illustrator files in illustrator 8 first. Then you can open the RDCAM program on the computer attached to the laser cutter. When you import your file, there are different settings for each line in your design.

DOT - cut dots / lines in a perpetual fashion SCAN - kissing line that will not go entirely through your material CUT - cut through your material

For my first designs, I experimented with these functions. I used 30, 50 and 80 gram paper for these experiments.

In the image above are my first four experiments.

Top left : 80 gram paper, 15% laser power with cutting line Top right: 50 gram paper, dotted line, 10% laser power, 3 mm interval Bottom left; 30 gram paper, dotted line, 10% laser power, 1 mm interval Bottom right: 50 gram paper, dotted line, 15% laser power, 2 mm interval

When I started to fold these designs, I noticed that the thickness of the paper was very important for the rigidity of the design. I liked the 80 gram paper the best, because in a unfolded state my designs were flexible, but when folded they were solid and rigid.

The dotted lines were in my opinion the best way to cut the lines, because the lines wouldn't tear apart.

The next iteration I made was a dotted lined design on a 80 gram paper. From my previous experiments, these properties were the most rigid. I made 2mm dots with 2mm intervals, at 15% power.

This design is perfect, it is rigid but also foldable. It is flexible when unfolded. The next step is to add holes on the corners of the folds.

Unfortunatly, I didn't make pictures of the newest design I've made. I made holes on every corner with the cut function. This resulted in a more rigid and flexible design at the same time! It was easier to fold the design, because the holes made up more free space to make a fold. Because I could pinch the corners more tightly now, it could become more rigid as well.

For my sample book, I wanted to show a gradient of flexible folds to more rigid folds. I discovered that the more folds are made, the more rigid the herringgrate design would become. The most rigid design would become the cover of my book. With the cut function I wanted to write the title. The designs I wanted to print are as follows:

Reflection

During this week I was zine editor, and it took more time than I expected. Because of this, I couldn't commit my full time to the assignment of this week. The fact that Daniƫl got sick didn't help me in that perspective. Because making a zine was still a novel thing for me, my process could be smoother.

The cutting supersurfaces assignment opened my eyes concerning material properties. I liked how my designs turned out and how I manipulated the properties of paper. The other students delivered very cool work as well, and I learned a lot from them.

The laser cutter is a simple machine, once you know how to operate it. When I can use it again, I have some ideas I like to work out, like a keytag for my keychain.

The decision of material was made, so now I was looking for patterns to fold. In the previous week I looked up an academic paper of three Japanese students, , and . Their research was all about folding lines in a herring-grate folding design.

Kazuya Saito
Akira Tsukahara
Yoji Okabe
1MB
vouwpatronen.ai
The folding patterns I made in Adobe Illustrator
4MB
Spread Thijs.ai
Zine spread Thijs
experimenting with 30 gram A4 papers - Thijs Uffen
A classic herring grate fold - Thijs Uffen
Cutting the herring grate design - Thijs Uffen
Dot settings - Thijs Uffen
My first experiments - Thijs Uffen
Kiss-cutted lines will tear apart when folded - Thijs Uffen
80 gram paper with interval dots - Thijs Uffen
Sample book designs